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ENGEL AUDIO
Engel Audio, thanks to the versatile character of its members, is able to offer a wide variety of services that range from composing, executing and producing jingles, to negotiating copyrights.
Our ample expertise in generating advertising campaigns from coming up with original ideas, to getting them filmed and edited is an advantage that few people can provide.
Comprised by 2 Sound Engineers, and an Audio Coordinator with movie, radio and TV experience, we have individually and collectively participated in amazing projects such as WFM,
’Amores Perros’, ’Roma’, ’Ciudad de Dios’, ’Birdman’, and an assortment of Netflix shows.
Engel Audio, is and works like a multidisciplinary team, whose quality stamp is evidenced by the multiple awards its members have been honored with (International Clio, Golden Reel, amongst others).
by
Meet The Team
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Micky Sierra
A graduate of the Music Production and Engineering Program at Berklee College of Music, Micky Sierra begins his professional career in the city of Boston, MA as an assistant engineer at Euphonious Recordings and Audio Boat Studios.
As a freelance producer, mixer, and FOH engineer, he completed various live recordings with sound reinforcement of several events and concerts throughout New England.
In NYC he serves as an engineer for Chop Shop Studios NYC next to the producer and engineer Arnold Mischkulnig. At Chop Shop he works with artists such as Ray J, Patrick Adams, Tre Williams, AZ, Foxy Brown, Demarco, M.O.P, among other Koch Records hip-hop artists.
For the last 10 years he’s been founder and head engineer at Engel Audio in Mexico City, a hybrid studio offering audio post-production services as well as music production for film, TV, and advertising. Engel’s sound services have been showcased in various theatrical releases such as Roma as well as plenty of TV shows released on Netflix, Amazon Prime, and various other streaming services. TV, theatrical, and radio commercials include global household brand’s such as Coca Cola, General Motors, Ford, Nestle, Netflix, Microsoft, just to name a few.
Carlos Honc
SOUND SUPERVISOR, DESIGNER AND EDITOR - 2016 to date (selection).
- Alfonso Cuaron's motion picture "Roma" - Dialogue and Ambience editor (winner of the Golden Reel from the MPSE in Hollywood).
- Chava Cartas' motion pictures "Mirreyes contra Godinez" and "Treintona, Soltera y Fantastica" - Dialogue editor.
- Suzi Yoonesi's motion picture "Daphne & Velma" - Ambience editor.
- Sebastian Cordero's motion picture "Sin Muertos no hay Carnaval" - Dialogue editor.
- Netflix series "Club de Cuervos" Seasons 2 & 3 - Sound supervisor.
- Netflix series "El Chapo" Seasons 1 & 2 - Dialog editor and Sound designer.
- Eugenio Polgovsky's documentary film "Resurreccion" - Sound designer.
- Amat Escalante's motion picture "La Region Salvaje" - Ambience design and edition.
SOUND SUPERVISOR, DESIGNER AND EDITOR - prior to 2016.
- Netflix series "Club de Cuervos" Season 1 - Sound supervisor.
- "Relampagos" series Seasons 1 & 2 - Sound designer.
- Bernardo Arellano's motion picture "El Comienzo del Tiempo" - Sound supervisor.
- Diego Muñoz's motion picture "Bala Mordida" - Sound supervisor.
- Rodrigo Leon's documentary film "Libra x Libra" - Sound supervisor & Sound mixing
- Fernando Meirelles' motion picture "Ciudad de Dios" - Ambience and Cinema sound editor (winner of the Golden Reel from the MPSE in Hollywood).
- Alejandro Gonzalez Iñarritu's short film "Powder Keg" - Sound design and edition (winner of the "Silver Clio" for best Sound Design).
- Alejandro Gonzalez Iñarritu's motion picture "Amores Perros" - Assistant editor and effects recording.
Guillermo Franco-Guevara
While still in high school, Guillermo Franco became the music supervisor of VM, a television show dedicated to promoting MTV culture in Mexico.
Later, during his first years of college at Universidad Iberoamericana, he was in charge of the first specials that aired on WFM, a major radio station.
During his career at WFM, he was the Music Programming Director until he, as part of a team of creative talents, founded Radioactivo 98.5, where he took charge of the production coordination, and founded Cinemalogic, a show dedicated to cinematography.
Simultaneously, he was Coordinator at Z Audio, where he and his team gave birth to the project for the film ‘Amores Perros’ (Love’s a Bitch), as well as over 400 advertising campaigns, some of which he added the music to, and for which he managed copyright and mechanical rights.
He has also been responsible for audio post production of successful campaigns for behemoths such as Bancomext, Liverpool, Bital and Coca-Cola, where his participation included design and music supervision, as well as managing of copyright with record labels.
Soon afterward, he was hired as manager of the Advertising Department at Papalote Museo del Niño, helping them win numerous Clio awards.
He resigned from this position to found an Advertising Production Company, where he had multiple clients ranging from CFE (the government-owned electrical company) to Chevy. He also produced several political campaigns, including those for 8 State Governors. Additionally, he produced music for almost every one of the company’s projects, alongside his business partner and friend, Carlos Honc, an extraordinary audio professional.
At the request of Alejandro Gonzalez Iñarritu, he played an important role in the musical supervision of “Birdman” and “The Revenant”.
He has had the opportunity to produce music for several movies and documentaries, highlighting “The start of time” by Bernardo Arellano (winner at the Beijing Festival of 2015), and “Resurrection” by Eugenio Polgovsky (People´s Award in Morelia). In addition, he was associate producer for the movie “Bala Mordida” by Diego Muñoz.
CONTACT
Micky Sierra
+52 1 55-5057-2375
Herodoto
Colonia Anzures, CDMX
